Revisiting Invisible Labor
Thomas Choinacky, a queer interdisciplinary artist in Philadelphia, discusses their piece “Forehand Down the Line,” which highlights the invisible labor and queer movement of ball people in tennis.
Thomas Choinacky, a queer interdisciplinary artist in Philadelphia, discusses their piece “Forehand Down the Line,” which highlights the invisible labor and queer movement of ball people in tennis.
Erin has been checking in with Stance on Dance every year for 12 years, sharing where dance has taken her each year. This year she expanded her nonprofit Dragons Dance and considered sustainability in her dance/movement practice.
Lyndel Quick, director of Blink Dance Theatre in Newton, Victoria, Australia, shares how the company is a vehicle for her creative practice, from live dance theatre performances, community workshops, text-based works, and dance films.
Valerie Green, a dance artist in Queens, New York City, and the director of Valerie Green/Dance Entropy, shares how her choreography, teaching, and studio all come together to contribute to her mission of multicultural understanding through dance and community building.
Helen Mason, artistic director of Propel Dance, a new all-wheelchair dance company in the UK, describes her goal to create more job opportunities for dancers who use wheelchairs.