Stance on Dance IN PRINT!

In addition to our weekly online content, Stance on Dance publishes a twice-a-year print publication featuring several dance writers in each issue and covering myriad perspectives.

The Fall/Winter 2026 print issue features the following:

Canadian aerialist Erin Clark reflects on how her disabled body in performance juxtaposes superhuman ability with impairment. Artist and researcher Ajani Brannum describes the moving potency of Dancing Through Prison Walls’ show FREEDOM TIME in Los Angeles earlier this year. Southern California-based dancer and filmmaker Mary Trunk meditates on the parallels between her house burning down and her body aging in her film The Geography of Memory. Costa Rica-based JoAnne Tucker and Poughkeepsie, New York-based Kezia Gleckman Hayman pose dance as an antidote to the onslaught of AI, especially in college settings. Yvonne Montoya of Safos Dance Theater in Tucson, Arizona, shares the findings of Dance in the Desert, an in-depth study on the state of dance in Latine communities in Arizona and New Mexico. Toby MacNutt, a queer, nonbinary trans, disabled dancer living in rural Vermont, delves into the multiple year saga of creating their film A Singular They. Rosie Trump, curator of the Third Coast Dance Film Festival in Reno, Nevada, illustrates how dance on film can be a form of resistance, especially when it’s DIY. Alice Lawhorn, flamenco dancer and director of Abrepaso Flamenco out of Cleveland, Ohio, contemplates the breadth and depth of performing tientos for two decades and counting. Visual artist Atefeh Morshedi in San Francisco deftly attempts to capture what movement feels like rather than what it looks like. And Maggie Stack, the inimitable dancer and artist based in Reno, Nevada, teases at the absurdity of trying to parent and dance at the same time.

A silhouetted dancer poised against flowing white contour lines on a black background beneath the title Stance on Dance (Issue 10, Fall/Winter 2026).

Cover art by Atefeh Morshedi

If you donate $25 or more to support dance journalism, you will receive two issues of Stance on Dance’s print publication. Stance on Dance is a 501c3 and your donation is tax-deductible.

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We will only be able to ship our print publication to readers within the United States. International donors will receive a PDF of the print publication. However, all content in our print publications is eventually made available online. Follow us on  Facebook, Instagram and LinkedIn to stay up to date on all the stances on dance!

Stance on Dance sends free copies of our twice-a-year print publication to college dance programs and other dance learning spaces. To date, we have partnered with dance faculty at Antioch University New England, Arizona State University, A:shiwi College, Austin Community College, Bennington College, California State University East Bay, California State University Long Beach, Colorado State University, Cuyahoga Community College, Davidson College, Florida International University, Keene State College, Kent State University, Loyola University Chicago, Movement Research, Old Dominion University, Ohio State University, Pittsburgh Ballet Theatre, Shawl-Anderson Dance Center, Skidmore College, Sonoma State University, SUNY Oneonta, Texas Christian University, Texas State University, Texas Tech University, University of Akron, University of Arizona, University of California Irvine, University of California San Diego, University of Costa Rica, University of Florida, University of Illinois Chicago, University of Illinois – Urbana-Champaign, University of Kansas, University of Maryland, University of Nevada, Reno, University of New Mexico, University of Richmond, University of San Francisco, University of Silicon Andhra, University of South Florida, University of Southern Mississippi, University of Utah, University of Washington, University of Wisconsin-Madison, and Utah Valley University. If you work in a dance department or other dance learning spaces and would like to learn more about this program, email emmaly@stanceondance.com.

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