• A series of black and white cut out images of naked bodies in various positions.

    Going Naked

    Onstage nudity served as free content for pornographic websites affects performers disproportionately and raises questions about artistic freedom and ownership of one’s own…

  • Sarah and Kai hug and stand with eyes closed in shade with bits of sunshine hitting them.

    Making Time to Meet the Moment

    Sarah Ashkin and Kai Hazelwood discuss the UNtensive, an annual virtual gathering that honors and engages in anti-racist resistance and healing.

  • Four dancers wearing red and black skirts onstage hold hands and intertwine.

    A Safe Space for Self-Expression

    Nalitari, an inclusive dance organization based in Yogyakarta, Indonesia, describes how they make dance accessible for all.

  • An older woman with curly hair lunges in a sequin dress in front of a photography drop cloth. The photo is black and white.

    Seeing the Invisible

    Megan Williams, a dancer and choreographer in New York City, describes how her upcoming piece "Visible" explores the pull between our seen and unseen identities.

  • A dancer bends over and touches the floor and her foot while another dancer rolls on the floor in the background. They are in a studio with wood flooring.

    Authentic Movement: The Structure and Practice

    Lauren Tietz, a dance-based interdisciplinary artist and teacher in Santa Fe, NM, describes the simple yet profound structure of Authentic Movement.

    A dancer sits on the floor of a gray room with his chin on a chair. Another dancer lies on the floor. There are several mannequins made of plastic in the space.

    Making The Field Work

    Charlie Slender-White, Artistic Director of FACT/SF in San Francisco, centers the dancer in all his work, driving multiple programs called Fieldwork that help the San Francisco dance scene thrive.