• A group of dancers huddle and walk together in the foreground. They are brightly colored. The rest of the photo is black and white with a band playing on the stage in the background.

    How to See in the Dark (a.k.a. Ecosystems, Cycles, Insecurity)

    Dance artists Anne Bartlett and Jessica Perino reflect on the cycles of artmaking through their company 20MOONS in Durango, CO.

  • A dancer sits on the floor of a gray room with his chin on a chair. Another dancer lies on the floor. There are several mannequins made of plastic in the space.

    Making The Field Work

    Charlie Slender-White, Artistic Director of FACT/SF in San Francisco, centers the dancer in all his work, driving multiple programs called Fieldwork that help the San Francisco…

  • Four dancers in a dark studio hover in a circle and reach their hands to the floor in a small pool of light from a flashlight held by one of the dancers.

    What Remains, What Becomes

    Pioneer Winter of Miami, FL, explores the difference between holding versus keeping through commemorating the generation lost to HIV/AIDS and to his mother who died when he was…

  • A line of dancers stand one in front of another with arms gently extended to their sides in front of a civil rights monument.

    Connecting Dance and City Planning

    Brittany Delany, co-founder of GROUND SERIES, a dance and social justice collective, connects dance and city planning through site-specific performance illuminating civil rights…

    Several dancers onstage with legs close together and bent and one arm extended up while looking up.

    On Her Dance Journey

    Kozue Kasahara, a Japanese dance artist based in Los Angeles, shares her experience dancing under iconic Black female dance artists like Lula Washington and Karen McDonald.

    Two dancers side by side lunge forward on one leg and look up. They are on a stage.

    Dancing with Georges Perec

    Leslie Satin, a choreographer, dancer, writer, and teacher in NYC, describes her book, “Dancing with Georges Perec: Embodying Oulipo,” and how she considers the work of experimental 20th-century French writer Georges Perec from a dancer’s perspective.