Supporting and Spreading Dance Journalism


Happy 11th birthday to Stance on Dance! When I started Stance on Dance in 2012, I had no idea I’d be continuing it more than a decade later, or that it would grow into its present iteration as a nonprofit and print publication. As Stance on Dance reaches its third print issue, I’m thrilled to have the opportunity to continue publishing the perspectives of myriad dance artists and sharing those perspectives with Stance on Dance’s donors as well as with students of dance around the country. I’m honored to be able to send a copy of each issue to folks who donate at least $25 a year to support Stance on Dance’s arts journalism nonprofit.

The spring/summer 2023 print issue features movement artist breana’s poignant poem about their history in ballet and subsequent trauma; Liz Duran Boubion’s meditation on how her residency in the desert has influenced her thoughts on death; Julia Cost’s sumptuous paintings of people in motion; Micaela Gardner’s reflections on making Resuenen, an interpretive dance film that explores the US-Mexico border; Mary Elizabeth Lenahan’s story of former dancer Adelaide and her son, Preston, who is on the autism spectrum and dances with Dance Express; Shannon Leypoldt’s intriguing look at the link between artistic practice and the menstrual cycle; Kevin O’Connor’s ode to his “dancestor” Billy and his suggestions for scores to improvise with one’s ancestors; and longtime dance teacher Diana Turner-Forte’s account of her experience facilitating a group of students with intellectual disabilities. This issue also includes my interviews with Maggie Bridger, a choreographer and PhD candidate who explores the relationship between pain, dance, and disability; and Wonyoung Kim, a choreographer, dancer, and lawyer who views choreography as metaphorically similar to law. If you’d like to receive a copy, please consider donating to Stance on Dance. Otherwise, all the articles and interviews will eventually be published online and will be free and accessible to anyone interested.

A big component of Stance on Dance is to not only create a platform for dance writers but also to send free copies of Stance on Dance to colleges and other dance learning spaces with the hope that the next generation of dance artists will become excited by the possibilities of dance journalism. To date, Stance on Dance has sent free copies to 20 dance programs around the country. If you work with a college dance program or other dance learning space and are interested in receiving free copies of Stance on Dance, please reach out to me at And if you’re reading this and thinking, “I have a stance on dance!” don’t hesitate to get in touch!

A painting of a hula dancer in a gray dress with two leis and a flower in her hair. The dancer leans to one side and gently extends her arms.

Cover by Julia Cost
“Betty Ann’s Hula” (2014)
Oil on canvas, 16” x 12”