Joe gives direction to two dancers. Some dummies are lying on the floor. The photo is in black and white with stark shadows.

    Saving Space

    Joe Landini, founder and current director of operations at SAFEhouse for the Performing Arts in San Francisco, CA, shares what his ride has been like running SAFEhouse in its various iterations over the years and how it intersects with his own choreography and creative endeavors.

    Dr. Lucky leans back with her hand on her forehead. She is wearing a black camisole with sequins.

    The Ph(Double)D of Burlesque

    Dr. Lucky, a performance studies scholar at New York University and an acclaimed burlesque artist, shares what neo-burlesque is, why it’s important to study burlesque academically, and how her burlesque shows have moved with her from NYC to sunny New Mexico.

    Black and white photos of dancers at UCSC The Movement of Memory
    The cover of Stance on Dance issue 2 Working to Fulfill Stance on Dance’s Mission
    Dance Artists' National Collective against a blue background Advocating for Equity Across the Dance Field
    Pual stands over his toes and leans back, his arms extended upward. He is wearing a silvery shirt and pants. Finding the Humanity in Dance’s Legacy
    Two dancers dressed as patients lay on the floor while a third dancer dressed as a nurse leaps above them.

    Dancing the Private Lives of Pilipinx Nurses

    Kularts director Alleluia Panis, composer Joshua Icban, and dancer Jonathan Mercado discuss their upcoming production, Nursing These Wounds, a site-specific dance performance investigating the impact of colonization on Pilipinx health and caregiving through the lens of Pilipinx nurses’ history.