Brittany Delany, a dance artist in Los Angeles, shares the many ways her life intersects with the performing arts, and how she views her work as always making and being made.
The Infinite Art of “Making It”
Carrie Reynolds, a founder and member of Dark Sky Aerial in Flagstaff, AZ, reflects on how "making it" is the process of turning a visionary dream into an evolving reality.
“If I Am Growing, I Am Succeeding”
Michaela Knox, director of Spark Dance Program in Maine, reflects on how she has developed healthier ways to evaluate success in teaching and performance.
Innovating Kathak Dance
Kathak dancer/choreographer Charlotte Moraga and sarod musician Alam Khan discuss their upcoming work "Mantram" and how they are innovating within the kathak tradition.
My Ancestor’s Wildest Dream
Vanessa Cruz, a dance artist based in Southern California, relates how she has faced relentless ableism in her pursuit of a dance degree and other opportunities, and how "making…
Roberto Vega Ortiz and Theresa Knudson of Ballet22, a ballet company in the Bay Area that seeks to break gender normative traditions, talk about how they hope to change representation in the ballet field by presenting mxn en pointe.
Danielle Reddick, a performer in Santa Fe, NM, shares how she found a way to work creatively and sustainably after experiencing burnout from touring in a Broadway production.
Julia Cost, a dancer, painter, and textile designer in Maui, recounts the various iterations of “making it” she’s experienced pursuing dance.
Cherie Hill, Hope Mohr, and Karla Quintero, co-directors of The Bridge Project in the Bay Area, talk about their programming and their distributed leadership model, as well as Hope’s recent book reflecting on 10 years of The Bridge Project.