Revisiting Invisible Labor
Thomas Choinacky, a queer interdisciplinary artist in Philadelphia, discusses their piece “Forehand Down the Line,” which highlights the invisible labor and queer movement of ball people in tennis.
Decentering Sight through Dance
Choreographer Jess Curtis’ new work “(in)Visible” seeks to dislocate vision from the center of the experience of dance. He and his collaborators Sophia Neises and Tiffany Taylor discuss how the piece is functionally and artistically accessible for people with vision impairments.