Making the Stage More Accessible
Travis Burbee, associate artistic director of EPIC Players, details how the New York City-based theater company opens the stage to all types of artists and seeks to shine a light on neurodiverse talent.
Travis Burbee, associate artistic director of EPIC Players, details how the New York City-based theater company opens the stage to all types of artists and seeks to shine a light on neurodiverse talent.
Helen Mason, artistic director of Propel Dance, a new all-wheelchair dance company in the UK, describes her goal to create more job opportunities for dancers who use wheelchairs.
Bradford Chin, a disabled dance artist, DEIJ/accessibility consultant, and audio describer for dance based in Chicago and San Francisco, argues why higher education needs to make dance training more accessible for students with disabilities.
Naomi Goldberg Haas, artistic director of Dances For A Variable Population in New York City, promotes strong and creative movement among adults of all ages and abilities through educational and performance opportunities.
Vogue and physical theater artist Willyum LaBeija descibres the many facets of his performing career, from the US Army to the Royal House of LaBeija to UMO Ensemble in Seattle’s recent production “Squeeze.”