How Can You Fake Dance? An Interview with Hae Kyung Lee
BY EMMALY WIEDERHOLT; PHOTOGRAPHS BY GREGORY BARTNING “I’ll just move slowly,” Hae said when we arrived for the interview. First, she danced small; then, there flowed a bit of momentum; and then she was swimming in movement. Soon, her self-consciousness had left the room, and in its wake was breathlessness…
Read articleLimitless in a Limited World: An Interview with Kathryn Roszak
BY EMMALY WIEDERHOLT; PHOTOGRAPHS BY GREGORY BARTNING Kathryn’s staunch opinions and forthright realism about the schema of women in the dance world were strong and well-founded. She spoke with authority. But when she danced, what began to surface was a beautiful contradiction: she sharply questioned dance, and yet continued to…
Read articleOf Body and Mind: An Interview with Anandha Ray
BY EMMALY WIEDERHOLT; PHOTOGRAPHS BY GREGORY BARTNING Anandha struck me as one of those people who practically bleeds passion. She moved like a serpent and spoke like a sage. Her awareness of her body and voice was like a fine-tuned instrument. In other words, every moment, every movement and every…
Read articleMoving Beyond Loss: An Interview with Ann DiFruscia
BY EMMALY WIEDERHOLT; PHOTOGRAPHS BY GREGORY BARTNING Ann held sadness in her. It was a very real melancholy based on her life experience of loving and losing. But when she danced, something seemed to shed. It was the first time since meeting her I had truly seen her face smile…
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