“Being the Voice of People Who Can’t Speak”
Maurice Reed, a member of the Artistic Ensemble of San Quentin, discusses how the ensemble tackles social issues and why it’s important to give voice to those who can’t speak.
“What We Can Create Inside These Walls”
Edmond Richardson, a member of the Artistic Ensemble of San Quentin, shares a peek into the ensemble’s creative process and his favorite moment from a recent piece.
Of Butoh, Bogotá and the Brain
Brenda Polo, a butoh dancer and the director of Manusdea Antropología Escénica in Bogotá, Colombia, shares how butoh can address the violence in Colombia, as well as her research linking butoh, neuroscience and somatics.
Artistic Opportunities for All Abilities at All Stages
Tiffany Tjosvold, director of Embrace in Victoria, BC, shares the breadth of Embrace’s programs for kids and adults with and without disabilities, as well as the impact it has had in Victoria’s community.
Why I’m A ‘Dance-Class Dancer,’ Through and Through
Elyse Fahey, a dancer and studio owner in Albuquerque, NM, offers a counter perspective, describing why she is a ‘dance-class dancer,’ through and through.