Dancing the Weight of Life
Sungkuk Kang, a dancer, choreographer, and the director of OnMom Company in Seoul, discusses his piece “How to Fold” that he choreographed and performed for the 2022 Korea International Accessible Dance Festival.
A Glimpse into Disability Dance Artistry in Another Corner of the World
Stance on Dance editor Emmaly Wiederholt reflects on her opportunity to attend the Korea International Accessible Dance Festival (KIADA) in November 2022.
“People Come into the Room and Make Work”
Deborah Slater, a choreographer in San Francisco and the organizer of Studio 210, a performance, rehearsal, and residency space, shares the history of the studio and how it has served as an incubator for myriad creative endeavors for more than four decades.
Manifesting the Music and Stories of the Body
Evie Ladin, a body music choreographer based in the Bay Area, describes the impetus behind her piece “Water in the Kettle,” which combines Afrodiasporic polyrhythms with Appalachian folk singing to illuminate the struggles of modern women.
Dance as a Medium to Access Different Communities
Associate Professor Ralph Buck, Head of Dance Studies at the University of Auckland, explains his community-oriented pedagogical approach that challenges dance’s role in the world.